Jane Brettle has agreed to be the external examiner for the MA DIP
Artist's Statement
Jane Brettle’s work explores the
relationship between institutional spaces and the presence of the body, often
in relation to gender. Over the past few years she has been making work in
relation to Art Gallery and Museum Collections using large or medium format
photography, more recently focussing on the portrait and the portrait gallery
as a space where the ‘great and the good’ of Western post enlightenment society
have been given individual recognition.
Within this process she has also asked the
question “who, historically has been considered a suitable subject to be
displayed in these institutions and who is missing”?
The use of colour photography and scale are
an important element in her photographs in that they ‘mimic’ the painted
portrait in museum collections.
The artist’s earlier works were often
large-scale, lens-based installations made as direct interventions on and
within the space of buildings. An on-going pre-occupation has been with the
interior and exterior relationship of these spaces and cultural objects as they
are represented by ‘surface’, that is, at the point at which they become image,
either through video, light projection, or photographic print.